
And the Hand Draws On…

The exhibition was assembled for an associative display, which relinquishes the chronological theme and group affiliation in favor of a more collagist approach based on volatile juxtapositions between drawings with different contexts. The viewers are asked to draw away and come close. The works concatenate from one another, forming open visual affinities. This modus operandi primarily prompts observation, reliance on what observation yields, attention to one’s eyes.

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Deganit Berest, From The Bathers, 1990
Watercolor on paper
Gift of the artist
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