![Tatoos (study for Notebook of Signs No. 2), 1985](https://storage.googleapis.com/tama-static/images/AO_Main.width-1364.jpegquality-75.jpg?Expires=1722272566&GoogleAccessId=tama-static-files-uploader%40tama-website.iam.gserviceaccount.com&Signature=ddqBStgAZcPHY24CQy%2FLSSczFZeMu1%2FR4%2FxXC7tnmmUgsHaybzrWzeAs6Pz0PnM%2ByZxlmMBFXcR3fkb%2BFcKmLJJDieP095qrezUZ8kIne3OWQk2Uqqea0m515Cv8y4YyFSaReBCIT%2B91kbkpL%2FQhhxQg5Z0TG180f2W6LkV84FSkf6X40G%2FSkSI8OiGmiZdQtXjqOk%2BPradz1Kyl%2FXJeH3k4Php3iQlWAHkYOnY%2FamWAIWT%2BFM7eCSre%2BXDVHoJpU8W3IAgxqaD7b3EiSHuOiR8PluC7%2BF7Y3CcIcrteM%2FAbDt4eh0kAFqI%2BlHOTdBCbI7LCfGWxSJII10yan45ugg%3D%3D)
Avraham Ofek: Body, Work
![Enlarge Image Tatoos (study for Notebook of Signs No. 2), 1985](https://storage.googleapis.com/tama-static/images/AO_Main.width-1364.jpegquality-75.jpg?Expires=1722272566&GoogleAccessId=tama-static-files-uploader%40tama-website.iam.gserviceaccount.com&Signature=ddqBStgAZcPHY24CQy%2FLSSczFZeMu1%2FR4%2FxXC7tnmmUgsHaybzrWzeAs6Pz0PnM%2ByZxlmMBFXcR3fkb%2BFcKmLJJDieP095qrezUZ8kIne3OWQk2Uqqea0m515Cv8y4YyFSaReBCIT%2B91kbkpL%2FQhhxQg5Z0TG180f2W6LkV84FSkf6X40G%2FSkSI8OiGmiZdQtXjqOk%2BPradz1Kyl%2FXJeH3k4Php3iQlWAHkYOnY%2FamWAIWT%2BFM7eCSre%2BXDVHoJpU8W3IAgxqaD7b3EiSHuOiR8PluC7%2BF7Y3CcIcrteM%2FAbDt4eh0kAFqI%2BlHOTdBCbI7LCfGWxSJII10yan45ugg%3D%3D)
Avraham Ofek’s complex, rich and enigmatic oeuvre is presented from a retrospective view that emphasizes facets of his interdisciplinary collaborations and installation works. Ofek’s ongoing dialog with Joseph Beuys’ renowned 1974 installation I Like America and America LikesMe is featured as a focus that charges internal layers and contexts along his way.
![Show gallery of 3 images Esau’s Deed, 1979](https://storage.googleapis.com/tama-static/images/AO_1.width-880.jpegquality-75.jpg?Expires=1722272566&GoogleAccessId=tama-static-files-uploader%40tama-website.iam.gserviceaccount.com&Signature=fWzsVrVIAdBoNbtcru1JSjZ6%2F0TtvkOq%2FXVLbxJfM2KIDi5N59OtkzZ5OAk%2BnHgkVrjs9za25U6xcWNLM39mhSnXzdaxfyImiENt75TrvBmCnOBXF1TMJf%2BJQIFb%2B1QRgK4eO65y19UTm%2FwtsuiHOTcvYoMCZPVM9mEDf9WDDPsIRTm4iw6%2Bg7Qz0ZSA64M8WvbgtefMFqJo2P8gqhYZwrJdi9ygQruTtFPPbgvs3rV1G3Z%2FzjS5IrDRFIvFQguXUXDdBH1eFBLRDR6OZpBjIidXBYjU18rg%2BpU%2BkeMsvmk1DBj3SA0coxeMZUxiCbaQ%2FDr9MRUZ3CYn9Yk3aiSYFA%3D%3D)
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Esau’s Deed, 1979
The artist's estate
The exhibition was made possible thanks to the generous support of the Friends of the Tel Aviv Museum of Art in Israel