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Beyond Small / Miniature Worlds in Contemporary Art

The power of miniatures lies in their remarkable ability to contain tiny, meticulously crafted, wondrous worlds, expressing the longing to capture and preserve the ephemeral.

The 17 miniature rooms collected by Helena Rubinstein (1870–1965) were donated to the museum in 1968, and their permanent display was renewed in 2022. Stunning and captivating, these rooms form the point of departure for the exhibition, which offers a different perspective on miniature worlds.

Participants : Nomi Abeliovich, Vered Aharonovitch, Constantin Boym, Shaul Cohen, Dan Eitan, Yitzhak Yashar, Dorit Figovitch Goddard and Ephrat Beloosesky, Edith Fischer-Katz, Simon Fujiwara, Dina Goldstein, Guy Goldstein, Inbal Hoffman & Saron Paz, Tom Kouris & Hani Dombe, Elkie Hershberg

Ranei Mazor, Efrat Natan, Noy & Tamir, Alon Sarig, Menashe Shikmoni, Tracy Snelling, Irène Spijer,
Roni Taharlev, Amir Tomashov, True Twins, Ben Vautier, Shira Zelwer

A miniature is a diminutive painting, sculpture or book that preserves the proportions of the original. Its definition varies across cultures and among different miniature associations worldwide. Although the classical definition relies on the existence of an original, contemporary art often features miniature worlds that have no real prototype, but rather constitute small-scale images reminiscent of a figure, object, space or environment. Whether they are traditional or contemporary, miniatures have several fundamental characteristics: they preserve memories, are delightful and enjoyable, create a sense of control in a limited space, and offer an all-encompassing perspective.

For centuries, miniatures were created by anonymous artisans. They were not signed, and had no official artistic status. A central chapter in their development is related to dollhouses – small-scale simulations of homes that offered an illusion of control over the domestic sphere and the social order. The playful dimension associated with childhood and “pretend” play, combined with meticulous craftsmanship, creates the illusion of a clearly ordered, almost idyllic world.

Guy Goldstein, Serving Suggestion (detail), 2022
Objects, table installation, mixed media and sound, 244x305 cm.

Collection of the artist
Courtesy of Artport

Photo:Tal Nissim

Contemporary artists draw on this tradition, consciously using the innocent and seductive image of the miniature while subverting it from within and charging it with surprising, complex, and sometimes dark and disturbing themes. For some of the artists participating in the exhibition, miniatures are a central vehicle of expression, while others have chosen to engage with this medium in the context of a specific work. Also included are miniature works that were created for the purpose of demonstration, documentation or professional use, and are presented here within an artistic framework.

In a world that is perceived as increasingly fragmented and chaotic, artists turn to miniaturization as an act of escape, repair, calculated creation or renewed control. Miniatures create order within chaos, provide solace, and create a stable anchor within the storm of existence. The miniature universe, with its elusive and intriguing nature, reflects our humanity and fragility and allows for a deep and intimate connection to hidden truths, which are only revealed on a miniscule scale

The exhibition was made possible by The Exhibition Circle of the Tel Aviv Museum of Art: Doron and Marianne Livnat, The Herta and Paul Amir Foundation, The Kirsh Foundation, Charles and Lynn Schusterman Family Philanthropies

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